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Hecate macbeth8/15/2023 Being the Goddess of the three witches, Hecate wishes to be responsible for their actions and asks that she is aware of what the other witches have done and will do, in order to ruin Macbeth. Hecate wants the witches to involve her more in the ruining of Macbeth. Eventually, it is known that Hecate is the one directing the three witches to bring Macbeth to his downfall. She directs supernatural happenings and appearances of mystical spirits. ![]() Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.Ī sweet, soft conversation starter and a charming gift.Hecate is the Goddess of the three witches. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art the cast of children depicted is commendably multiethnic.Īlthough the love comes shining through, the text often confuses in straining for patterned simplicity.Ī paean to teachers and their surrogates everywhere. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. On balance, we find it a fresh, funny spoof of the adult Establishment and the cliches of conjuring.Ī collection of parental wishes for a child. With the important difference that the girls do not hurt anyone, this raises some of the questions attending the reception of Harriet the Spy. The sudden resolution of their relationship is unconvincing, and the adults are either satirized sharply or borne stoically, but Elizabeth's narrative has considerable pertinence and vitality. Jennifer, who happens to be Negro, is likely to remain an enigma (of some fascination) to her contemporaries, as she is to Elizabeth. ![]() ![]() The girls part in anger, but come together again on the next-to-the-last page and laugh at their former obfuscations they are no longer would-be witches, they are just "good friends." Elizabeth, expressing her disgust at pinching relatives and posturing schoolmates, is a self-proclaimed pest and problem to her parents: the reader empathizes immediately. Gradually, Elizabeth comes to resent Jennifer's domination, and when Jennifer is about to drop Hilary Ezra, their pet toad, into the pot of potion, she rebels. Never wear shoes in the house on Sundays") a flying potion compounded of such exotica as snowballs from the deep freeze and fingernail parings. In the tart Juvenile vernacular of a New York suburb, Elizabeth recounts the rigors and rewards of her apprenticeship: raw eggs and raw onion sandwiches (recipe given) thirteen taboos ("Never cut my hair. Jennifer, master witch, familiar of Hecate and Macbeth, mentor of Elizabeth also her fellow fifth grader at William McKinley School, later her friend. Who!?!! Me, first: Elizabeth, apprentice witch, promoted to journeyman, dismissed for sentimentality lonely in a new school, discovering the satisfaction of being different, becoming a friend.
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